Co-authored by Kristina Fox and Dr. Stephanie Danker Myaamia Ribbonwork is one of the best known examples of revitalized Myaamia artwork. Over the course of several years, a team of people researched examples of ribbonwork and created peepankišaapiikahkia eehkwaatamenki: Myaamia Ribbonwork. Along with the publication, workshops were held for the Myaamia community. As is common…
Category: Arts
Artist Spotlight: Jared Nally
Written by Joshua Sutterfield Meet Jared Nally, a Myaamia student who is currently seeking a Master’s degree in Environmental Science at Miami University. He is a recipient of the Aanchtaakia Graduate Fellowship. Aanchtaakia is the Myaamia word meaning ‘change maker.’ This fellowship is specifically designed for tribal scholars motivated to make positive change in tribal…
Oxford Community Arts Center Exhibition and First Friday Event
Written by Stella Beerman Back in October, the Myaamia Center and Myaamia Heritage Museum and Archive worked together to curate “weeyaakiteeheeyankwi neepwaantiiyankwi: Celebrating 50 Years of Learning from Each Other” at the Oxford Community Arts Center. This exhibit celebrated our 50-year relationship with Miami University through photography from Myaamia community members and Myaamia Center staff,…
Minohsaya ‘Painted Hide’ Workshop Recap
As blog readers may recall, a group of artists, educators, and scholars have been discussing Myaamia and Peewaalia ‘Miami and Peoria’ painted hides held in a museum in Paris, France, and thinking about revitalizing the meaning and practice of this artistic form. In early August of 2022, a group got together in Miami, Oklahoma. The…
Making Myaamia Mahkisina
My first mahkisina ‘moccasins’ were given to me by one of my distantly related cousins. Odds are that she also got them as a hand-me-down. I was young enough that I don’t remember much about them because they only fit for a short period of time. Replacing them was never a priority since I did…
waawaahsinaakwahki ‘It Shimmers’
peepankišaapiikahkia eehkwaatamenki ‘Myaamia ribbonwork’ is an artform in which an artist layers, cuts, folds, and sews ribbons onto textiles to create intricate geometric patterns. The artform reached an initial peak of beauty and complexity in the mid-1800s, but by the early 1900s the practice of ribbonwork was in steep decline. In the 1990s, Myaamia people…
Mahkoonsihkwa’s Experience with Myaamia Ribbonwork
My journey with Myaamia ribbonwork started the same way that it has for many Myaamia people, through a community workshop about six years ago. Prior to the workshop, I had very little knowledge about ribbonwork and no idea how to make it, but I was excited to learn about this art form that is a…
Artist Spotlight: Megan Sekulich
Meet Megan Sekulich, a Myaamia student who is currently a Junior at Miami University. Megan is studying Fine Arts with a concentration in print making and also has a minor in Fashion Design. Art has been at the center of our connection to Megan since the first moment that she stepped onto campus–she was recruited…
Myaamia (Miami Indian) Clothing Post-Contact (FAQ)
How has Myaamia (Miami Indian) clothing changed over time? Myaamia clothing – like the clothing of all cultural groups – has changed a lot over time. These changes have been affected by the availability of resources, shifts in technology, and radical shifts in our historical and cultural circumstances. In the post contact period, Myaamia people…
Myaamia (Miami Indian) Clothing Pre-Contact (FAQ)
What kinds of clothing did Myaamia (Miami Indian) people wear prior to contact with Europeans? In the period of time prior to contact with Europeans, Myaamia people wore clothing made from hides: leggings, breechcloth, moccasins, skirts, shirts, and added large blanket robes during colder weather.[1] The bison robes held by the Musée de l’Homme in…